“A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He’d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,” says Smith of the sessions, which were largely tracked live in the studio. “That gave us a little more confidence hearing him build us up on that whole thing.”
That extra self-assuredness comes through in each of Smith’s roaring vocals and in the band’s stampeding melodies. From the crunching title track to the slow burn of “Oklahoma City” to the triumphant blaze of glory that is “Parliament Smoke,” Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford & Sons. Most of all, it’s an album with a lot of heart.
“I don’t like just throwing stuff out there. If I’m going to be singing about something every night, I try to make it personal, make it something I can really relate to,” says Smith, the band’s lyricist and primary songwriter. “I like to sing with conviction, an honest conviction.” Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.
A native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the “Live Music Capital of the World,” where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.
Much like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. “The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,” he says of the band’s sophomore effort.
Shane Smith & the Saints’ busy touring schedule meant that almost three years elapsed after Geronimo‘s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.
“It’s been such a long time coming. And honestly, for me, it’s such a personal album in terms of the lyrical content, what the band has gone through and the band’s families have gone through over the years,” Smith says. “It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.”
Though Smith and his bandmates have been the ones logging in the miles in their “Cousin Eddie-looking” RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. “The last couple years of doing this stuff I’ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn’t be able to do this if it wasn’t for them,” says Smith. “A lot of people paint [the music business] as a glamorous thing, but it’s truly difficult to pull off if you have any intention of being a family man.”
Lucky for them, Shane Smith & the Saints’ family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.
“It’s a massive network of people that are music lovers, but they’re not like your standard music lover. They’re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,” Smith marvels. “It’s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.”
With Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith & the Saints in the first place. “After four years of touring and sweat equity, it’s significantly helped and changed our sound,” Smith says. “But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.”
Heaven knows Shane Smith & the Saints have earned that loyalty.